PDF Ebook Hidden Art Of Disney's Midcentury Era : Volume 4, by Didier Ghez

PDF Ebook Hidden Art Of Disney's Midcentury Era : Volume 4, by Didier Ghez

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Hidden Art Of Disney's Midcentury Era : Volume 4, by Didier Ghez

PDF Ebook Hidden Art Of Disney's Midcentury Era : Volume 4, by Didier Ghez

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Détails sur le produit

Relié: 224 pages

Editeur : Chronicle Books (1 septembre 2018)

Langue : Anglais

ISBN-10: 1452163855

ISBN-13: 978-1452163857

Dimensions du produit:

23,8 x 2,5 x 28,9 cm

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The Disney Company is unparalleled with it’s meticulous studio records and extensive production artwork spanning nine decades. The problem is getting them to put this material out for Disney connoisseurs and historians to enjoy. Didier Ghez has done us wonders with this series of books devoted to the concept artists who were influential at the studio over the years.This volume is probably the most colorful of all. Mary Blair has been one of the most celebrated of Disney artists. Her designs had warmth and a flair for color. As a fan of her work, any publication with fresh art is always a welcome surprise. And too much Mary Blair is never enough. Lots of never before published designs for Dumbo, The Three Caballeros, Melody Time, Cinderella, and Alice In Wonderland. Ive seen the actual Dodo impression, on page 91, on display at the Disney Family Museum. I’d like to see more concept art on the unproduced Carnival feature. This also answered my curiosity on if she did any designs for Sleeping Beauty (she did!) In volume one, Didier expressed that he would shy away from Mary Blair to focus on artists that haven’t been discussed before. I’m so glad he didn’t. The pieces he selected are beyond amazing.We also have, for the first time, an in depth discussion about her husband’s, Lee Blair’s, career. Lots of fresh art from Pinocchio, Fantasia, and Saludos Amigos. The chapters on John Dunn and Tom Oreb delve into Disneys foray into television and educational projects with very stylized designs. I presume this is the first publication to discuss the career of the controversial Walt Peregoy. From all accounts, past and fairly recent (he died in 2015) he was a very unpleasant person to interact with. But his designs have very beautiful and a striking use of color. We finally have a good representation of Peregoy’s Disney career.This series has struck a great balance of previously unseen art by both well known artists and artists that have never been discussed before. I hope The Disney Company will follow this example and unearth their treasures for Disney fans to see and for artists to be inspired by.I wonder what new treasures have been discovered for Volume 5.

This is the best entry so far in the "They Drew As They Pleased" series, which is really saying something because all are fantastic. This volume has the advantage of Mary Blair, of course, but the colorful and stylish pieces by Oreb, Peregoy and Dunn were a revelation and a delight for the senses. I've been curious to know more about Oreb and Peregoy's work for a while, and found those chapters satisfying. Dunn was new to me, and, wow. Ghez also accomplished the difficult task of showing me Mary Blair pieces I hadn't seen before. And the depth of his research, both in unearthing rare pieces and writing artist biographies, is evident and really pays off. Whether you Disney obsessively, enjoy midcentury illustration, or are just curious to see how the animated works begin as sketches and ideas, you cannot go wrong with this book or the series. I recommend all four, but this one is best for its vivid colors and bold designs; second best is probably volume 1.It's worth mentioning that another "midcentury" Disney book also came out recently. This one is the better of the two in terms of research and visuals, though its scope is narrower.I am keeping my fingers crossed for a series on Parks concept art next...

As a former Imagineer, I recently attended a reunion at WDI. Didier's were the only Disney history books I saw in the House of Mouse (the in-house Disney store). They're so well researched, documented, and visually stunning that even the insiders appreciate what he has created. If you are a true Disney devotee or just appreciate concept art for it's own sake, these books will have pride of place on your shelf. PS . I was privileged to know some of the artists he has written about. It makes his books extra special.

Volume 4 of Didier Ghez's "They Drew As They Pleased" is my favorite of the series. Mid-century artwork is always a delight, so seeing Disney's creations from this time period is especially fascinating. As always, the author's scholarship advances our knowledge of artists who may have been underappreciated by the public during their lifetime. Didier's chronicling of their creative contributions is a fitting testament to these artists' lasting legacies. Highly recommended!

It is fascinating to delve into the animation creative process and discover the amazing concept art of some relatively unknown Disney artists of the 1950s and 1960s. Lee Blair’s concepts for Pinocchio, Fantasia, and Saludos Amigos are a joy to behold. Walt Peregoy’s background concepts for The Jungle Book are simply sublime. Previously unseen artwork from Mary Blair was a wonderful surprise. As always, the text is full of insight into the lives of the artists and the creative process at the Disney studio. I can’t wait for Volume 5!

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Hidden Art Of Disney's Midcentury Era : Volume 4, by Didier Ghez PDF

Hidden Art Of Disney's Midcentury Era : Volume 4, by Didier Ghez PDF

Hidden Art Of Disney's Midcentury Era : Volume 4, by Didier Ghez PDF

Hidden Art Of Disney's Midcentury Era : Volume 4, by Didier Ghez PDF